Conskipper may be brand new, but our journalists have been covering the world of pop culture conventions for years. The following story was originally written
Conskipper may be brand new, but our journalists have been covering the world of pop culture conventions for years. The following story was originally written
If you were lucky enough to be in a comic shop in the summer of 1989, amid all of the X-Men and Batman titles on the shelves, was issue one of Dark Horse Comics’ Predator.
Even though Levitz is best know for his work in the super hero genre, his most recent graphic novel Brooklyn Blood (published by Dark Horse Comics) is changing this perspective. Set in a gritty, realistic world of procedural dramas, gangland violence, and the supernatural, Brooklyn Blood is a story that fans of horror and crime comics will certainly relish.
Chris Roberson is no stranger to Dark Horse Comics Mignolaverse and he has become one of Mike Mignola’s chief writing partners on such titles as Hellboy and the B.P.R.D. 1954, The Visitor, and the recent hit Rasputin: Voice of the Dragon.
Hot on the heels of the second story arc of Dark Horse Comics’ adaptation of Neil Gaiman’s American Gods entitled “My Ainsel”, we were able to interview series artist Scott Hampton about his work on the project, the challenges in adapting a novel to a comic book, and his previous work with Clive Barker.
Along with the typical mythic storytelling elements provided by Mignola, the tragic figure’s back story is beautifully illustrated by frequent Mignolaverse collaborator Ben Stenbeck.